Discussion On The Unusual Form Of the Finale Of Haydn's Op.54, no.2.
Title: Discussion On The Unusual Form Of the Finale Of Haydn's Op.54, no.2.
Category: /Arts & Humanities/Artists
Details: Words: 2345 | Pages: 9 (approximately 235 words/page)
Discussion On The Unusual Form Of the Finale Of Haydn's Op.54, no.2.
Category: /Arts & Humanities/Artists
Details: Words: 2345 | Pages: 9 (approximately 235 words/page)
Discussion On The Unusual Form Of the Finale Of Haydn's Op.54, no.2
The three String Quartets that make up Haydn's Op.54 were probably written for the virtuoso violonist Johann Tost , and are therefore widely known as the "Tost Quartets." A feature common to all three of the quartets is the difficult writing of the first violin part.
A specific debate of concern arises when we look at the finale of the C Major Quartet, No. 2
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d melody accomp all appear
Adagio122-40 begins as 1-8, continues as 9-56.
Appendix 3- tessitura outlines for mvt 2 in comparison to mvt 4
MVT2, Adagio
A1-8 defines the range for the 3 accompanying instruments.
B 17-35 Then violin1 takes up its own range, independent of the
A26-35 tessitura defined in 1-8.
MVT4, Finale
Adagio9-56 similar to mvt 2, now cello takes up the "wandering". The other voices stick to their own already defined tessituras.