Lecture notes and thoughts on "Frankenstein" (both the 1931 Film Version and Shelley's Novel) and also Gothic theory
Title: Lecture notes and thoughts on "Frankenstein" (both the 1931 Film Version and Shelley's Novel) and also Gothic theory
Category: /Literature/European Literature
Details: Words: 2135 | Pages: 8 (approximately 235 words/page)
Lecture notes and thoughts on "Frankenstein" (both the 1931 Film Version and Shelley's Novel) and also Gothic theory
Category: /Literature/European Literature
Details: Words: 2135 | Pages: 8 (approximately 235 words/page)
Lecture Notes on "Frankenstein" and the Gothic
- Generally features strong elements of the supernatural, psychotic, sexually perverse or a combination of all three.
- Gothic usually featured dark, brooding setting: Damziels in distress.
- When Shelley wrote "Frankenstein" Gothic had gone out of fashion.
- 1818 Gothic played for laughs or reanimation.
- Shelley: no clear distinction between good and evil.
- She updates Gothic out of medieval world into her world. Fairly contemporary setting
showed first 75 words of 2135 total
You are viewing only a small portion of the paper.
Please login or register to access the full copy.
Please login or register to access the full copy.
showed last 75 words of 2135 total
Gardener).
- Gardener as monster constructive, creative member. Openly desired monster.
- Emphasises "Bride of Frankenstein". Draws attention to female companion, monster seeking a friend.
- An inversion of the gothic.
- Father/Son relations of healing type; in place of Oediple relations.
- "Gods and Monsters" gothic because it holds to paranoia model.
- James Whale (hysteric) - prone to being overtaken by hallucinations of the past.
- Clayton Boon is a classic paranoid.