Origins of the Modes of Major Scales
Title: Origins of the Modes of Major Scales
Category: /Arts & Humanities/Music
Details: Words: 271 | Pages: 1 (approximately 235 words/page)
Origins of the Modes of Major Scales
Category: /Arts & Humanities/Music
Details: Words: 271 | Pages: 1 (approximately 235 words/page)
Modes are simply the name given to the pattern of intervals between each note in an octave. Modes and Scales can be traced back to Greek origins, where different tribes evolved different scales. Each scale started on a different note and descended by characteristic intervals. In the middle ages, the church adopted these scales, made them ascending from a tonic note and renamed them modes. They were the tonal basis of Gregorian Chant and are
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Greeks thought about scales, and how they constructed some of their scales, nothing exists to identify which modes were called Mixolydian, Dorian, Phrygian, etc. The early Christian Church used music in worship. Their modes came from Jewish temple songs and from other common modes in the Middle East and Eastern Mediterranean. The church modes are in no way derived from a major scale. They were used for centuries before the major-minor scale system was developed.